ART CONSERVATOR
DIGITAL
A PUBLICATION OF THE WILLIAMSTOWN + ATLANTA ART CONSERVATION CENTER
VOLUME 17 NO.1 TABLE OF CONTENTS
A LETTER FROM THE EDITOR | Maggie Barkovic
ILLUMINATED Manuscripts PART I: HISTORY AND MATERIALS | Brook Prestowitz
ILLUMINATED MANUSCRIPTS PART II: Medieval Culture of Bookmaking in Paris | Brook Prestowitz
ILLUMINATED Manuscripts PART III: CONDITION + CONSERVATION TREATMENT | Brook Prestowitz
APPENDIX: Folio Placement, Transcriptions, and Translations | Brook Prestowitz
THE DISCOVERY OF A LOST NORMAN ROCKWELL | MAGGIE BARKOVIC
SPLENDOR IN EMERALD: Conservation of an 18th Century chair from the Briati workshop | CHRISTINE PUZA
PIETER LASTMAN's PARIS AND OENONE IN THE COLLECTION OF THE HIGH MUSEUM OF ART | KATYA BIRUKOVA
THE PRE-PROGRAM EXPERIENCE: AN INTERVIEW WITH OUR INTERNS + MONTSERRAT LE MENSE | Maggie Barkovic
Splined Canvas: A New Method of Stretching Presents Challenges for Conservation | STEPHANIE GOLD
about the art conservator publication
OUR STAFF AND MEMBERS
editor + art director | maggie barkovic
copy editor | jamie cassavoy
photography
| contributions from matthew hamilton, christine puza, brook prestowitz, katya birukova, & maggie barkovic.